About

Hey there, I’m Sarah

Since 2019 I work as an independent artist. My paintings are all about exploring new worlds with a tribute to escapism, melancholy and the beauty in nature.

I’m born in “the most eastern town of Germany”, a small city called Görlitz and studied Literature for 5 years in Erfurt. Since 2018 I live and work in Leipzig.

In my free time I love to travel, go out dancing and bouldering with friends.

For more insights into my process, check out my FAQ:

  • I mainly draw on an iPad Pro with the Apple Pencil using the drawing app Procreate. Before 2018, I worked with a Wacom Intuos Pro and Adobe Photoshop. For traditional sketching, I prefer graphite pencils, and for watercolors I have been using a small watercolor travel kit for many years.

  • I use a small selection of brushes, all of which are included in Procreate’s default brush library. You can find them directly in the basic Procreate brush set—no custom brushes needed.

    My favorites are:

    Sketching: Mechanical Pencil, HB Pencil
    Basic: Niko Rull, Hard Round Brush
    Texture: Stucco, Gesinski Ink, Shale Brush, Aurora, Dry Brush
    Light Effects: Airbrush, Light Pencil

  • Because detail is an essential part of my art style, my work usually takes a long time. One artwork can take anywhere from 40 up to 150 hours to complete.

    The concept sketch takes a maximum of 5 hours, and I usually plan 2–5 hours for the linework. Rendering the main elements requires the most time. Complex environments typically take about 40–80 hours on average.

  • As a child, I drew most of my inspiration from nature and loved creating very detailed scenes of animals in their natural environments using colored pencils.

    At the age of 13, I proudly bought my first drawing tablet and began teaching myself digital painting in Photoshop through tutorials on YouTube and DeviantArt.

    In the artworks I created during my teenage years, a strong influence from anime and manga is clearly visible. If you are interested, you can find a detailed overview of my artistic development here.

    Inventing new worlds and imagining what fictional places might look like is what I love most about creating art. At that point, I set my goal to become a concept artist for movies and video games.

    However, in 2012 it seemed that working in this field required attending an expensive private school for cinematic art and concept design. I couldn’t afford that, and due to several negative experiences with art teachers in school, I knew I would never attend art school.

    That is why I decided to study comparative literature at the University of Erfurt to learn more about storytelling. Unfortunately, the program did not meet my expectations.

    Still, despite the many setbacks I experienced in my early twenties, success came unexpectedly in the form of a colorful, geeky weekend in December 2016.

    I didn’t know what to expect when I applied for a table in the Artist Alley at my first German Comic Con. On the very first day, I sold out, and the people I met there gave me a boost of confidence that lasted for months.

    While I was still studying at university, I applied to more and more conventions, improved my booth setup, and built a website with an online shop.

    I never had much confidence in myself, but when I was able to make a stable living from my art by the age of 25, I began calling myself a “professional artist” for the first time. I am deeply grateful for a job I didn’t even know existed ♥

  • Broadly speaking, nature and the work of other artists inspire me the most.

    I am a huge fan of the artists behind Studio Ghibli. What I admire most about their work is the attention to detail, the simplicity, and the exceptionally high level of craftsmanship.

    In general, I am inspired by any artwork, photograph, or movie scene that conveys a strong or unusual mood, features an interesting composition, or demonstrates a particularly well-executed technique.

    Among the old masters, my greatest inspirations are Caspar David Friedrich, Vincent van Gogh, and Gustav Klimt.

    Pop culture is another major source of inspiration for me.

    I especially love the world-building and character arcs in Avatar: The Last Airbender. I also admire the adventurous spirit and charming creatures of the Pokémon universe, the dark tone of Death Note, and for many years I was deeply drawn to the tragic character destinies portrayed in The Walking Dead.

    Creating my own worlds and storylines is highly inspiring to me as well. There is something special about getting lost in another universe. Whenever I need to fill a plot hole or develop a new character concept, I put on the right music—and ideas tend to flow naturally.

My Art Journey & Technique

  • No. My personal projects already take up all of my time, so I don’t have the capacity to accept commissions.

    However, if you are working on an environmental or charity project, I am always very interested in participating.

  • At the moment, I don’t sell digital files of my artwork. I hope you understand that I have to be a bit careful here, as digital files can easily be copied or misused.

    If you’re interested in a custom-made option—such as a canvas print or a textile print—feel free to email me and we can see what might be possible. contact

    Thank you for your understanding! And if you ever happen to find my artwork being sold on platforms like Etsy, Temu, or Amazon, I’d really appreciate it if you let me know, as those listings are not authorized.

  • It depends on the project—so please make sure to ask me first. I’m always happy to take a look and talk it through with you. While I understand that many things have become more expensive, I unfortunately can’t provide my artwork for free.

    Without my explicit permission, you’re not allowed to use my art for personal or commercial purposes. I’m sure you understand that a lot of time and effort goes into each painting.

    Thank you for supporting independent artists.♥

Using My Artwork & Collaborations

  • I’m sorry to say that I don’t offer custom-made prints. Only the sizes and materials available in my shop can be purchased.

    I’ve put a lot of care into choosing high-quality print and paper options, but each new print run is a significant investment. That’s why I usually need to sell existing editions before adding new variations.

    You’re welcome to sign up for email notifications in my shop if a variant is sold out or missing—interest from customers really helps me decide what to offer next.

  • If an artwork is not available in my shop, it can usually only be purchased directly from me at a convention. In most cases, it’s an older edition and the last remaining copies are offered there. You can find a list of my upcoming events here.

    If you’d like to stay up to date on new print releases and shop updates, I recommend subscribing to my newsletter or following me on Instagram.

Onlineshop